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'James Cornell's world is "charged with the grandeur of God", in Hopkins' words ..... each person is a tessera in a timeless mosaic, a murmur in a songline' (Dark Diamond Dancing: a mosaic of encounter. London, Athena Press: 2004).  In this text, he devotes pages 144-151 to the consideration of 'The Process of Personalising Cosmic Love'.

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He writes elsewhere:

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Encounter with nature-archetypes wakes qualities within us that make us strong and balanced individuals, with the equipment we need to face the challenges of life.  For this reason, besides watching our cholesterol and sugar levels, we city dwellers need to watch our relationship to country.

There are obvious dangers.  Where do we encounter the Family of Being? Where does it get the chance to minister to us?

Does encounter survive the switch to the virtual world?  Is passivity affecting more than just my waistline?  Does the axiom 'spend time with your family' have a wider and equally critical meaning for us urbanites of the twenty-first century?' (2004:136)

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'The Aboriginal people ... mainline the land.' (ibid, 137)

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'The comprehensive beauty of the environing cosmos and the warmth and communion of personal love are innate and equal objects of human passion.  The human heart instinctively seeks to integrate them.

I am currently privileged  to live in one of the last great wilderness areas of the world, the semi-desert region of inland Australia.  The beauty of nature is awesome here and especially so as it is so vast and isolated.  It is very much like Otto's description of God: tremendum et fascinans (terrible but fascinating).

It is easy to feel irrelevant to this fiercely beautiful world of relentless, inner dictated change.' (ibid, 144-5)

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In introducing the song 'My Country' at a Red Land Concert in Innisfail, January 1986, Rod Cameron stated:

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Maria Rosa has taken (my poem about my encounter with the myall who asked me:

 

'Where is your country?') and universalized it.  She has seen friendship between peoples, the country, the land (in my following words to the myall):

You are my country.  ...

 

If I like and love you, you are my country.  The country - the land is not only the ground on which we walk, the land is the total environment, is the universe; it is the sun, the moon, the stars, the trees, the mountains, the ocean, the birds and everything that exists all around ... It is where human life is lived.  This is where we find the sacred, this is where we find our friendship, this is where we work out our destiny, in the midst of this universe, in the midst of this land.'

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Video creation - Brent Hodgkins, Bruthen Music

Photography - Maria Rosa

Recording, mixing and mastering - Brent Hodgkins, Bruthen Music Studio

Vocals and musical accompaniment - Maria Rosa

Musical composition - Maria Rosa

Encountering Country theme - James Cornell and Rod Cameron

Producers - Brent Hodgkins and Maria Rosa

© 2023 by Tyler Reece. Proudly created with Wix.com

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Warning to Australian Aboriginal and Torres Strait Islanders: This site contains images of and reference to people who have died and the voice of two of them.

 

Photos and videos of Rod Cameron OSA: Used with kind permission of the Augustinian Order of Australasia.

Use of sketch of little girl welcoming Rod Cameron at Bidyadanga: Permission given by Rod Cameron OSA - taken from text The Red Land published in 1972 by the Augustinian Order of Australasia. All illustrations in latter text - except for two - are by Olwen Roser

Other Photos Copyright: Maria Rosa

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All albums (except Red Land Songs) able to be downloaded from this site have been co-produced with, mixed and mastered by Brent Hodgkins at

Warrior Records, Bruthen Music Studio, Victoria, Australia.

Red Land Songs was recorded with the valuable assistance of Allan Black formerly of Black Inc, St Leonards, New South Wales.

 

Please note: Neither Rod Cameron OSA/Keis/James Cornell nor Maria Rosa are persons of Australian First Nations descent.  This site therefore does not speak for any one with Australian Indigenous lineage. Rather, as fellow Australians, we instead have worked with them to broaden understanding of their realities while living within the liminal space created when their cultures and the mainstream culture of our country meet. These songs have grown from our encounters and experience of learning from the First Australians. English is not the first language of many First Nations peoples in Australia and around the world. 

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If you wish to arrange any of the music or use it in any non-private way such as in print, online, plays, ballet, advertisements, film or TV you need the permission and a licence from the copyright owners of the musical work and sound recordings. APRA AMCOS will assist you in obtaining such a licence. This organisation's contact details are as follows: APRA AMCOS, Locked Bag 5000, Strawberry Hills, NSW 2012

 9am – 5pm, weekdays (AEST) Call: +61 2 9935 7900                                   

Email: apra@apra.com.au

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Disclaimer: All available up-to-date due care has been taken by me and due diligence acted upon to ensure  all uploads are free of viruses.  Thus no responsibility will be accepted for any viruses or other compromise to your equipment which surface any time after music has been downloaded.  M Rosa

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Deep thanks to Rod Cameron OSA, Elizabeth Macris (Sr Eleanor Mary Macris RSC, AM), Keis, and Brent Hodgkins for their affirmation of artists.

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