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Red Land 1976-2023

The seeds of Rod Cameron and Maria Rosa’s collaboration began when she attended a concert of the Red Land Club in Perth in 1976. She encouraged her students at the then Tardun Special Aboriginal School to express themselves creatively within their love for composing music while simultaneously improving their literacy skills. Maria bought the The Red Land  book of Rod's poetry at the Perth Red Land Club concert and used its content to scaffold her Tardun students' efforts.  Rod's simple yet profound words provided a window of affirmation in English of some of their culture's concepts.

In 1991, Rod wrote:

     Human life is lived in two dimensions.
     One out-stretches to the long horizons
     While the other gives us fellowship with the stars,
     One is secular and the other is sacred.

     The secular and the sacred need each other

     We leave our footprints on the crimson earth
     And light our little campfires in the night,
     But our human spirit cannot be contained.
     It leaps beyond the canopy of stars.

     The human soul is a citizen of the Universe.

Rod also commented that, after thirty years of listening and working with Australian First Nations peoples, his opinion is that we can be truly enriched through their interpretation of the human experience (January 15, 1989). Rod, recipient of a Master of Science degree, came to his understandings via a scientific approach. He worked for many years at St Augustine’s College, Brookvale, a suburb of Sydney.

On August 23, 1989, together with speakers of Indigenous descent, students from Mount St Bernard, Herberton, singers and dancers from Mossman and Kuranda, Rod addressed 'The Eternal Now' at the Civic Centre, Florence St, Cairns (see Cairns Post 12/8/89). In many other appearances across the country, he expounded on the meaning of 'The Dreaming' born out of his dialogue with many people of Australian Indigenous descent. He wrote that the 'Red Land' is Australia.

 

 

The 'Red Land' Story

 

Rod Cameron, OSA (Personal Communication to Maria Rosa):


'One thing leads to another. An early edition of The Red Land  book was published in 1972. Soon after that a Red Land Club was formed at Saint Augustine’s College in Brookvale, Sydney. Three boys started it as an entertainment club. It was not long before boys were writing their own music to some of the poems. On stage they acted out Aboriginal stories with which they were familiar.

At first they were thinking mainly of entertaining relatives and friends at the college. But audiences grew and after a few years the Red Land Club went on tour. Over the years they visited Perth, Adelaide, Cairns, Mareeba, Herberton, Innisfail, Cunnamulla, Charleville, Ulladulla and Kyabram.

In 1976, the Red Land Club performed at the Sydney Opera House. Like the wandering Spirit People of the Dreamtime, we still journey into the vast horizons of this land.'

 

History of the Red Land Songs CD

Liz Giddey, Kerry Sanders, the Brigidine Sister Marie Langtry, Yvonne Maulden and Maria Rosa donated their time and skills to produce the original Red Land Songs cassette in 1986. They did so with Allan Black, the then manager of Black Inc Studios who was most supportive. The funding for the recording sessions came from money generated within previous Red Land initiatives.

Fr Rod later wrote a number of books published by St Paul’s Publications: Alcheringa: The Australian experience of the Sacred (1992); Karingal: A Search for Australian Spirituality (1995); Opala: A search for desert water (1997).

 

Fr Rod commissioned songs post 1986 and these are presented in later albums.

 

To contextualize thirty-four of the songs, the book Tesserae Kinned was published in 2022. It also provides lyrics for those particular songs in one source.
 

© 2023 by Tyler Reece. Proudly created with Wix.com

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Warning to Australian Aboriginal and Torres Strait Islanders: This site contains images of and reference to people who have died and the voice of two of them.

 

Photos and videos of Rod Cameron OSA: Used with kind permission of the Augustinian Order of Australasia.

Use of sketch of little girl welcoming Rod Cameron at Bidyadanga: Permission given by Rod Cameron OSA - taken from text The Red Land published in 1972 by the Augustinian Order of Australasia. All illustrations in latter text - except for two - are by Olwen Roser

Other Photos Copyright: Maria Rosa

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All albums (except Red Land Songs) able to be downloaded from this site have been co-produced with, mixed and mastered by Brent Hodgkins at

Warrior Records, Bruthen Music Studio, Victoria, Australia.

Red Land Songs was recorded with the valuable assistance of Allan Black formerly of Black Inc, St Leonards, New South Wales.

 

Please note: Neither Rod Cameron OSA/Keis/James Cornell nor Maria Rosa are persons of Australian First Nations descent.  This site therefore does not speak for any one with Australian Indigenous lineage. Rather, as fellow Australians, we instead have worked with them to broaden understanding of their realities while living within the liminal space created when their cultures and the mainstream culture of our country meet. These songs have grown from our encounters and experience of learning from the First Australians. English is not the first language of many First Nations peoples in Australia and around the world. 

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If you wish to arrange any of the music or use it in any non-private way such as in print, online, plays, ballet, advertisements, film or TV you need the permission and a licence from the copyright owners of the musical work and sound recordings. APRA AMCOS will assist you in obtaining such a licence. This organisation's contact details are as follows: APRA AMCOS, Locked Bag 5000, Strawberry Hills, NSW 2012

 9am – 5pm, weekdays (AEST) Call: +61 2 9935 7900                                   

Email: apra@apra.com.au

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Disclaimer: All available up-to-date due care has been taken by me and due diligence acted upon to ensure  all uploads are free of viruses.  Thus no responsibility will be accepted for any viruses or other compromise to your equipment which surface any time after music has been downloaded.  M Rosa

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Deep thanks to Rod Cameron OSA, Elizabeth Macris (Sr Eleanor Mary Macris RSC, AM), Keis, and Brent Hodgkins for their affirmation of artists.

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